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Nathan Curnow

Nathan Curnow is an award-winning poet, spoken word performer and past editor of literary journal, Going Down Swinging. His books include The Ghost Poetry Project, RADAR, The Right Wrong Notes and The Apocalypse Awards. He has recently taught creative writing at Federation University, and toured Europe in 2018 with loop artist, Geoffrey Williams, performing in Poland and opening the Heidelberg Literature Festival in Germany. He lives in Ballarat and is the current judge of the annual Woorilla Poetry Prize.

Links: nathancurnow.weebly.com

Flying Islands Pocket Poet Publications

The Right Wrong Notes

The Right Wrong Notes is a selection of poems from my previous collections: No Other Life But This, The Ghost Poetry Project, and RADAR. Also including some more recent pieces, the collection represents fifteen years of writing about family, fear and love, with Dan Disney describing the poems as ‘suffused with sensuality and sense-making but also, most importantly, generosity’.

It was launched in Ballarat by Robyn Annear, and in Melbourne by Alicia Sometimes.
Cover Shot by Michelle Dunn Photography

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Nicholafei Chen 陳飛:物語獵人

In 2015 Nicholafei Chen was undertaking a Masters degree in creative writing at Macau University. He was also providing a range of translation services. Born and raised in Guizhou, Chen is a story hunter, a traveler, a graphic designer, a photographer and, most recently, a cultivator of succulent plants. This is all despite having been told by a fortune teller that he would be a diplomat. in 2015 Fei was a Resident Tutor at Henry Fok Pearl Jubilee Residential College in the University of Macau. (His biography will be updated as more information comes to light.)

Flying Islands Pocket Poet Publications

A River Sings Tales of the Village

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Cui Yuwei 葦歡:刺

Cui Yuwei, born in 1983, is a bilingual poet and translator based in China. In 2007, she completed an MA in English Literature in Wuhan University. She has published poems in Mascara Review and Cordite Poetry Review (AU). Her works of translation appear in Off-the-Coast (US), The Sons of Camus Writers International Journal (CA) and Ajar (Vietnam). Her Chinese poems are widely seen in various literary journals and collections in China. Currently, she works as an English lecturer in Beijing Normal University at Zhuhai in China.

Flying Islands Pocket Poet Publications

Fish Bones

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Matthew Cheng 鄭政恆:記憶之中

Matthew Cheng 鄭政恆 is a poet and editor and author of the poetry collection The First Book of Recollection, and co-author of Wait and See: The Collection of Six Hong Kong Young Writers, and the editor of An Anthology of Hong Kong Poetry of the 1950s, Hong Kong Short Stories 2004-2005, and Hong Kong Cinema Retrospective 2011, among others. The former Vice-Chair of the Hong Kong Film Critics Society, in 2013 he received the Hong Kong Arts Development Award for Best Artist (Arts Criticism).

biography source https://iwp.uiowa.edu/writers/cheng-ching-hang-matthew

Flying Islands Pocket Poet Publications

Recollections

Translation: 宋子江 Chris Song, 客遠文 Kit Kelen, 樊星 Iris Fan Xing and others

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Michael Crane

Michael Crane is an Australian poet, writer and compere of poetry events in Melbourne.

Born in Brisbane in 1961, Crane moved to Melbourne at age 18. He has been an active member of Melbourne’s poetry scene, performing in many open poetry readings from 1989 to 1991. In 1991, Crane organised the first Poetry Slam to be held in Australia and has organised and run more than 150 since.

Crane’s work has been published in literary journals and magazines, and he has self-published three chapbooks between 1991 and 1994, including The Book of Screams, An Almost Summer and Joan of Arc was a fire eater. Ten of Crane’s poems appeared in the collection Loose Kangaroos in 1998. Crane’s first collection of poetry, The Lightmaster, was published in 1999 by Phoebe Press. He released Not Mad Just Raving, a CD of spoken word with musical accompaniment. In 2003, Ninderry Press released A Dog Called Yesterday – Selected Poems and Prose. In 2007, Picaro Press published Crane’s chapbook of poetry entitled Poems from the 29th Floor. This was released at the 2007 Melbourne Writers Festival. Since 2001, Crane has written 200 micro stories called Postcards from the End of the World, many of which have appeared in the literary magazine Gangway. He has also written a yet-to-be-published detective novel.

Michael Crane is one of the most published writers in literary journals and newspapers since 1994 including poems in the Best Australian Poems 2011,2014 & 2015. He has been compared to legendary writer Charles Bukowski, established Poets, David Brooks and Geoff Page.

Links: Wikipedia – en.wikipedia.org/wiki/Michael_Crane_(writer)

Flying Islands Pocket Poet Publications

Poems from the 29th Floor 

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Ecology Collage Series…

 Ecology Collage Series
rewriting the order of the anthropocene


“Ecology” comes from the Greek oikos meaning “house, dwelling place, habitation” and logia meaning “study of”.

Traversing themes of art, literature, nature, society, technology, science and religion, Arthur Mee’s Children’s Encyclopedias (circa 1960s) remain an unsettling testimony to the ongoing destruction of our original home—Earth—as they extol the virtues of Man, his paradoxical fascination with the “wonders” of nature, and his so-called omnipotent triumph over nature through the capitalist myth of progress. 

Upcycling both the imagery and the ideologies within these volumes, the Ecology series exploits the cutting power of collage and the magnetism of surrealism to invert historical hierarchies, rewrite the divine rule of cosmic order, create worlds within worlds, and collapse human-centric ideologies preserved in western art and literature.

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Chen Fei

Chen Fei, born and raised in Guizhou, is a story hunter, a traveler and a graphic designer. Resident in Macao for thirteen years, Fei is currently a Resident Tutor at Henry Fok Pearl Jubilee Residential College in the University of Macau, where he is currently completing a PhD degree in Literary Studies. 

______________________

(picture of a meiren kao)

the patio bench meiren kao – 18th April 2014

meiren kao, a man leaning on it will be more elegant, suave’

the restaurant manager said to me 

meiren kao, a lookout for men

to monitor enemy movements

a belvedere for girls to wait for their beloved

and now I’m leaning here, waiting for my poetry ideas 

downstairs Miao waitresses are welcoming guests with wine and song

on the street visitors are taking photos

some people are selling barbecued food 

people sitting on the meiren kao of other houses are holding cameras, ready to capture any surprise 

here on the meiren kao

I see the whole village

I see people come and go

people come, stay and start businesses here people grow up

people make money and leave

people grow old

sing songs 

on such a pleasant afternoon as this I am sitting on the meiren kao

eating my barbecued food

listening to the stories in the songs 

美人靠 

2014年4月18日

“美人靠 美人靠

男生坐著也要俏三俏”

餐館經理笑著跟我說

美人靠,男人們監視敵人舉動的瞭望台 

女人們等待心上人歸家的觀景台 

此刻我坐在這裡,等待著靈感來教我寫詩

樓下苗族女侍者正在用歌舞和米酒 

歡迎著賓客

街上遊客們在拍照 

有些攤販在賣燒烤 

有些人坐在其他吊腳樓的美人靠 

舉著相機,等待著驚喜 

美人靠上

我看到整個寨子 

我看到有的人來了,住了下來 

有的人走了,去往便捷的都市生活 

有的人暫住,尋找心裡的平靜 

有的人成長,無憂無慮地成長 

有的人急於賺錢,開酒吧開客棧

他們的故事 

沉澱為山間的迷霧 

流淌成河裡的歌唱

夜幕降臨時分 我坐在河邊 吃著燒烤 

聽著 一首又一首的歌謠

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Nathan Curnow

Nathan Curnow is an award-winning poet, spoken word performer and past editor of literary journal, Going Down Swinging. His books include The Ghost Poetry ProjectRADARThe Right Wrong Notes and The Apocalypse Awards. He has recently taught creative writing at Federation University, and toured Europe in 2018 with loop artist, Geoffrey Williams, performing in Poland and opening the Heidelberg Literature Festival in Germany. He lives in Ballarat and is the current judge of the annual Woorilla Poetry Prize.

The Piano Lesson

The last piano lesson I ever had
ended in a drug raid on my teacher’s house.
Mum was waiting in the car as she did each week.
She saw the cops pull up with their dogs.
When I ask her about it twenty years later
she’s forgotten everything—the raid, the lessons,
begging me to practice, that we even had a piano of our own.
I want to ask her how, and keep asking, how
it’s possible to forget all this, considering her devotion
to the black and white, the tunes of discipline and obedience.
I let it go because she blames herself for all she can
and can’t recollect. There’s a chord
that she’s an expert of playing—the guilt hammers,
the sustain of regret. So what now of this memory
if I can’t afford to share it? I want it to resonate.
But it stresses her frailties—a grand excuse
to keep pounding away at herself. It’s a grey-scale art
every child must learn to master in these final years—
to force the duet or to recognise it’s time
to learn both parts of Chopsticks for yourself.
Now my daughter plays and I wait beside her
turning the page when she nods, the metronome
tocking, her little hands, in reflection
all the right wrong notes.

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Chrysogonus Siddha Malilang

Chrysogonus Siddha Malilang was a nomad writer and translator before finally settling in in Southern Sweden. He started writing professionally – as a journalist – at an early age of 12, mainly motivated by an innocent wish of seeing his name printed in newspaper. After writing a number of short stories for various newspapers, he published two novels in 2006. 

In 2013, he got involved with Flying Islands and started translating Iman Budhi Santosa’s poems (Faces of Java) into English. He was then granted Indonesian government funding for a poetry translation project in 2015. His own collection of bilingual poems, Encounters: Never Random, was published in 2017 by Flying Islands

He is currently teaching Creative Writing in Malmö University, Sweden and at the same time trying to get back to a poet mode. His latest works, translations of three children’s books from Danish to Indonesian, are coming in March 2021. 

watching fado in Macao

old fortress
under moon that blooms

gentle sea breeze
of a humid October night

husky contralto
belting the ballad out

from her throat
deep the waves

in which we swim
ears least perhaps

this is rhythm
all in the chest

where memory
is found

because of the words
all out of language

because as the singer says
this is heart’s translation 

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