KA Rees writes poetry and short fiction. Her work
has been included by Australian Poetry Anthology, Australian Poetry Review, Cordite Poetry Review, Kill Your Darlings, Margaret River Press, Overland, Review of Australian Fiction, Spineless Wonders, and Yalobusha Review among others.
Links: www.instagram.com/kateamber01/
Her debut poetry collection.
Chris Mansell studied Economics at the University of Sydney – because she’d read Das Kapital as a teenager and thought economics was the way to understand what is going on. She spent the first ten years of her life on the central coast of NSW, and then she moved to Niugini (Papua New Guinea). At 14, she decided that she would be a poet. She has won the Queensland Premier’s Award for Poetry, Amelia Chapbook Award (USA) and the Meanjin Dorothy Porter Poetry Prize, and was short-listed for the National Book Council Award and the NSW Premier’s Award.
Also by Chris Mansell: Poetry 101 Quads (Puncher & Wattmann/Thorny Devil Press, 2020) Parole (poems in English and French, translated by Tim Thorne, Well Sprung, 2019) Love Cuts poems, images, essay. With Richard Tipping (Well Sprung, 2014) Seven Stations (text only) (Well Sprung, 2013) Spine Lingo: new and selected poems (Kardoorair, 2011) A View from the Beach (PressPress, 2010) Letters (Kardoorair, 2009), Love poems (Kardoorair, 2006) Mortifications & Lies (Kardoorair, 2005) Stalking the Rainbow (Press Press, 2002) Day Easy Sunlight Fine in Hot Collation (Penguin, 1995) Shining Like a Jinx (Amelia, USA, 1992) Redshift/Blueshift (Five Islands Press, 1988) Head, Heart & Stone (Fling Poetry, 1982) Audio Raptors Blue (audio) (Well Sprung, Sydney, 1989) with music by Rob Cousins Seven Stations (CD) composer: Andrew-Batt Rawden (Hospital Hill, 2014), Fickle Brat (audio + text) (IP Digital, 2002) Short fiction Schadenvale Road (Interactive Press, 2011)
Links: chrismansell.com
Foxline reconnoiters the relationship between the land and the creatures on it: Man (a farmer), and Fox. The relationship between the creatures themselves reveals their alien natures. Both claim the land for themselves but neither is autochthonous. They are opposed to each other but have an understanding and an alliance nevertheless because they both kill and have nowhere else.
Myron Lysenko began writing haiku and senryu in the late 1990’s.
He is the Victorian Representative for the Australian Haiku Society. He has published five books of poetry and one of haiku/senryu. His poems have appeared in many journals and anthologies around the world. Myron has run almost 50 public and private ginko since 2008. A ginko is a haiku outing in a scenic spot where people write haiku, then share and discuss them. Myron has been writing, performing, publishing, editing and conducting poetry workshops since 1980. He was a founding editor (with Kevin Brophy) of the lively independent literary magazine Going Down Swinging from 1980 to 1994, which they then passed on to new editors. The magazine recently celebrated its fortieth year anniversary with a bumper issue.
Links: myronlysenko.wordpress.com
a ghost gum leans over
Myron Lysenko’s ‘a ghost gum leans over’ is bigger than most haiku books being published today. The book is divided into sections or sequences, including his daughter’s battle with cancer spanning ten years; a year where a relationship breaks down and splits a family in two; a section of light poems, another of heavy poems and one about Lysenko’s local area in the Macedon Ranges of Victoria. The sixth section consists of haiku written for special occasions.