Poems

4 bits that may or may not end up going somewhere

 

Goths are having a séance 

in the Cubby House at Bunnings.  

There are Skinheads in the Potting Mix.

Hipsters cook cow penises

at the sausage sizzle. Lowest

prices are just the beginning.     

 

*

 

Epistemological, Ontological …

I look these words up

every six months.

But I still don’t know

what they mean, not really.

Couldn’t define them if asked.

I think it’s something like

How do I know

that what I know

is what I know?

I dunno. Maybe if Noel Coward

turned it into a song  

I’d start to understand.

 

*

 

Her poems are never ending

compendiums of comparison,

like pin cushions for similes.

 

Yes, it’s a nice poetic device.

But you don’t have to detonate it,

like a cluster bomb, at every line

 

*

 

There’s a hobo living in the Big Potato.

They can’t evict him,

though it’s made of asbestos.

But he doesn’t care about OH & S.

Someone’s sprayed a dick and balls

on the big prawn

the big banana just got smaller

the big koala is angry

at the crowds drawn by

the big lump of coal

and the big jet ski

and the Big Clive Palmer, with

the café in its head, is looking shabby,

its eyes chewed out by cockies.

 

 

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good old summer

 Kia ora ki katoa [Greetings to all].

Cornered by Coronavirus here in Aotearoa New Zealand, I wonder if any other Flying Islands contributors are Kiwi and might wish to share a reading, even if it is via Zoom…? Looks like we will be here for a while, despite escape plans being drawn…

Meanwhile a poem to warm everyone up, eh.

good old summer

summer

came back

with

a  HUGE  grin

s  p  r  e  a  d  e  a  g  l  e  d

all over its face;

a panjandrum

paintbrush

of lucent hues

imbued

with emollient

flourish.

 

its chortling

prodigal sun

flayed us all

i

n

t

o

happy    submission –

skin peeling,

smiles reeling,

balmy healing,

    &

a sort of

ubiquitous

mellow cadence

crooning through us all –

that winters’

frigid

casuistry

had  forced  us

to  forget.


                                    My daughter Pauline Canlas Wu – in Hong Kong – is the artist.


Te pai katoa [All the best].

Vaughan Rapatahana

good old summer Read More »

standing still the trees: works on paper by Carol Archer

 

Archer’s drawings and prints celebrate the sense of immersion and wonder one feels when standing with trees. Meanderings near the artist’s home in the Myall Lakes region of N.S.W. and further afield have moved the artist to make these pictures. A preoccupation with light suggests the ephemerality of human perception. The viewpoint, towards ground rather than sky, underlines trees’ resilience and rootedness in ancient earth and rock. 

More about Carol Archer at www.carolarcher.com 

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myth of a-semism

 

myth of a-semism

 

there is no mark without meaning

neither made nor found

 

try to make nonsense

go on

 

those who set out

do just that

they have tumbled an ark into stone

they this that

here’s the picture of nothing at all

 

it’s tinkle whiff

the chimney slept

the life raft leapt

 

like lightning spread

clouds gone from the page

 

one day some one will cypher it

one day someone will know

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Rob Schackne #3 – The River

The River

Today he wrote a river
its eddies wore strange marks
on a flowing page, boulders
semi-submerged like hymns
the banks were huge, the plains
went on for miles of words
oddly discernible, then not—
balanced an enormous sphere
that was empty of meaning
overseeing the asemic, but
not nothing, not nothing there
a peace, a better silence
we wrote it together.

Drawing “Oggi ho scritto un fiume” by Enzo Patti (2021)

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Acrocorinth

Hello Flying Islanders!

I’m very excited to have been warmly welcomed into this community and blogosphere as an honorary member after launching Steve Armstrong’s latest pocket book of poetry What’s Left.

I’m a poet, and emerging literary critic, living on Darkinjung country on the Central Coast of NSW. My chapbook, A Fistful of Hail, was published by Vagabond Press in 2018.

Here’s a poem from that collection, which inspired the title:


Acrocorinth

You shall eat the fruit of the labor of your hands; you shall be blessed…

Psalm 128:2

Time has scalloped and tightly crimped

the hill’s stone — all the troughs

and rifts of its flanks studded

with cypress, laurels. The Acrocorinth

juts into wind above the yellowed vineyards

and timber pig-sheds, the fish

like wands of garnet or black-spotted quartz

carving the shallows at Vrahati beach.

My grandfather’s people

coaxed

clusters of bitter-and-sweet jade fruit

from the vines, while time – like a god’s

hand on the hill – tapped off seams

of limestone with the rain’s pick, or pounded out

trenches with fistfuls of hail, lightning.

In the village, pines drip

resin in the brush. I walk

dirt tracks where hens pace for seed. In dusty

gardens, in olive groves, the goats swank

oily beards, the hammered scrolls

of horns, gnashing thyme thickets — the Acrocorinth

pale as whey to the south. From here

I make out the old acropolis extruding

from the hill like blunted teeth; I probe,

till my eyes ache, for Aphrodite’s

temple, nesting somewhere in the high

ridges. The Corinthian Gulf flickers

down a north-east road, and I know

this evening the sun will strut there like a peacock

trailing long feathers across

the water. Soon, I’ll walk back

to my great uncle’s house.

He’ll empty wine from a barrel.

He’ll tell me stories of his brother’s fist.

I’ve seen the x-rays — my mother’s

dented wrist, forearm — all the fractured

bones. And I’ll think of those hands,

coaxing, on the vines; and I’ll think of a god

with a fistful of hail. I’ll drink

the cool, bitter pink liquid, and currents

of sweetness will twist

through each mouthful.

Acknowledgments

‘Acrocorinth’ was first published in Philament Journal — Precarity, Vol. 22 December 2016; and appeared in The Best Australian Poems 2017.

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a door in the day – for Lou Smith

 

a door in the day

for Lou Smith

 

none thought to lock

 

bring the bones

come flesh

 

do come in

you’re welcome

 

say I, the inhabited fancy

 

step through the city

take this pill, melt  

 

a fall of sunlight here

just where the day grows over

 

come seasons, turn

roller skates

 

prepare me a piano please

or any strings at all

                                                                            

not to show you

just to say

the only way

to make the door

is to open it

and step in 

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Beyond (in response to Papa Osmubal’s mixed media work ‘Doors to Both Worlds’) – Lou Smith

 

Will you still write to me, when you are gone?
Which door shall I open to find you?
a skeleton key    mellifluous song
not milled from nickel and silver     
will your breath still cloud in the cold, cold air,
for a moment as if we are gods?
s
  w
    o
      o
        p 
            low from silhouette of buildings
            
to beyond

Beyond (in response to Papa Osmubal’s mixed media work ‘Doors to Both Worlds’) – Lou Smith Read More »

Spruce

 

Check the neatness

of the homeless

under Glebe rail bridge –

to each their own arch

open plan, plein air

here a brushed tent

a swag-bed rolled

camp bed made

cardboard pantry

wardrobe trolley.

Minimilists

before their time.

A ragman’s bike

a spirit cooker …

what’s to declutter?

what forsake?

 

Arty bastards.

 

         yes

        even

     the gravel

looks Zen raked.

 

You’re tidy shamed

by a pair of shoes

in the spick & span sun

a’bask in the arch

so sweetly arrayed.

The dirty mercy

of house proud poverty

don’t need no maid.

 

 

 

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