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Separation Blues: Poems 1994–2024

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Separation Blues: Poems 1994–2024 contains poems from nine of Nathanael O’Reilly’s published collections. The poems span three decades of composition, from poems written in Ballarat in 1994 to recent work composed in Texas and Ireland. The poems revisit an Australian childhood and adolescence in the 1970s and 80s, traverse a young adulthood spent in Australia, Europe and America, and arrive in the present with the middle-aged poet living in Texas and travelling frequently to Ireland and Australia (his homelands).

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O’Reilly encounters the world with the carefulness of a spy or a professional eavesdropper. Here are poems that notice the moment, all the time documenting the strangeness of the landscape in which our lives unfold. What does it mean to belong? In what states of being do our various lost and found selves exist? … [his poetry] bears witness to the pilgrim nature of a life that might be ours, and the timely question of how a person becomes remembered, in time and space, through the eyes of others.
– Annemarie Ní Churreáin

Painting vivid depictions of the landscapes he traverses and inhabits … the poet threads his great love of family and friendships throughout his narratives. The universal traveller, O’Reilly slips easily into ancestral cadences, gliding between worlds with an ever-present longing. There is a deep and constant reverence and sensitivity here to his impact in the world, whether cultural, ecological, interpersonal, or regarding our own precarious mortality, although he does not shy away from the (sometimes explosively) political.
– Anne Casey

Nathanael O’Reilly’s [poetry] … reminds us that when at our best, we belong to the world at large, while fiercely holding our family and friends close to our hearts. A truly global poet, O’Reilly showcases the sometimes-fraught sense of twenty-first-century existence on earth with its thorny entanglements and cultural intransigence, countered by an abiding love bigger than continents or even time itself, and an interdependence without flags or borders.
– Matt Hohner

Joseph Brodsky, the Russian Nobel laureate, once remarked that memory and art have in common the ‘ability to select, a taste for detail.’ In the work of Nathanael O’Reilly, memory and art come together to bring us poems that remember what cannot – what must not – be forgotten, in rich and telling detail and with a taste for quiet but incisive irony.
– Paul Kane

Nathanael O’Reilly’s poems sound the major themes of Australian poetry: landscape, displacement, yearning, and above all a critique of cultural narrowness. O’Reilly’s plain-spoken diction is often laced with understated wit, but is given ballast by its principled grounding in lived experience.
– Nicholas Birns

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