J.Burke

Alive in Dubbo

D.G. Lloyd’s ‘Devil’s Hole’

From Alive in Dubbo

Boys getting stoned and jumping off the cliff
into the deepest part of the river;
no one knows for sure how deep.
See you in Cobar! we shouted, as we drifted away
downstream.


Flocks of cockatoos screeched as they flew over the
slopes,
the dirt road and metal posts,
fallen logs and blue-green algae,
dead ryegrass undulating.


I nearly drowned fighting the current as I tried to
cross back,
tussled in the willows, vines and throwing up.
Blistered and scarred for seven days.


Devil means Bunyip and Evil Spirit Dreaming.
The elders frightened the children with ghost stories
to save them from drowning near the bend in the
river.
It’s a strange bed up north, said Gazza.


Jason and Craig saw a kingfisher on the fence,
You can tell them by their pointed beaks.
I spotted a pelican on the water’s surface,
It must be lost.

D.G. Lloyd’s ‘Devil’s Hole’ Read More »

Kit wins Newcastle Poetry Prize

The Flying Islands Poetry Community president and Flying Islands Pocket Poets Series editor has won the coveted Newcastle University Newcastle Poetry Prize with his poem ‘Dombóvár’

From the judges’ report:

“The winning poem, ‘Dombovar’ by Kit Kelen, ranked very high on both our original lists and grew in stature with successive rereads. ‘Dombovar’ skilfully integrates thoughtful reflection on important issues, humour, inventiveness and an engaging partly colloquial tone. This evocation of small town rural Hungary carries echoes of the moral ambiguities and violence of settler societies like Australia.

Throughout the poem there is the suggestion of a larger, potentially national, narrative, but the reader is left to work through the weave themselves. Sudden transitions between dogs and humans and intertextual asides about fences and neighbours add to the poem’s humour. There is also a strong undertone of sadness as the poet subtly creates a self- portrait. With great skill the poem breaks standard idioms and expected word choices to produce a clipped, very tight effect that intensifies the reader’s experience. ‘Dombovar’ uses the form of a poem sequence to powerful effect, shaping a masterful poem that can be read on multiple levels.”

Kit wins Newcastle Poetry Prize Read More »

Donations to Flying Islands Poetry Community Gift Fund are Tax Deductible

We are happy to announce that donations to the Flying Islands Poetry Community Gift Fund are now tax deductible.

This was following a successful application to the Australian Taxation Office for Deductible Gift Recipient (DGR) Endorsement

The Flying Islands Poetry Community Gift Fund is a separately administered fund within Flying Islands Poetry Community Inc. Funds are made available from the Gift Fund to the Flying Islands Poetry Community for the purposes of promoting literature, including, in particular, but not exclusively, poetry and visual arts related to literature in Australia.

One of the main activities of the Flying Islands Poetry Community is the annual publication of the Flying Islands Pocket Poet Series of poetry books. Donations are an important part of the continued publication of these series.

Donations can be made using the link below by debit or credit card or by direct deposit/EFT. The bank details for the Flying Islands Poetry Community Gift Fund are
Bank: Teachers’ Mutual Bank Account Name: Flying Islands Gift Fund BSB 812 170 Account Number: 319423

Please transfer or deposit the funds at your earliest convenience A tax receipt will be issued shortly after the funds are received.

Donations to Flying Islands Poetry Community Gift Fund are Tax Deductible Read More »

2024 Manuscript Competition – Longlisted Poets

Congratulations to the following poets who have made the long list of poets for the 2024 Manuscript Competition. Thank you to all the competition participants. Keep expressing yourself through poetry.

Ali Taghvai, On the Boat of Life

Ashleigh Synnott, The Technology I Assume

C. J. Anderson-Wu, Clear My Name

Damien Becker, Thin Reed Throat

Himara Jay, The Feminine Demons

Jason Beale, Strange Signs of Life

Kay Cairns, Looking for the River

Lorraine Gibson, Some Things Change Some Stay the Same

Lyn Chatham, The Arts

MaryAnn Maxted, Slipstream 

Michael Cunliffe, The Chronicle of the Rodent Warrior 

Nicola Watson, Treechanging

Peter Kenneally, Make it Exemplary

Peter Mitchell, Under Skies with no Obligations

Robyn Lance, Silvers of Fish Flash Silver

Terry Manion, Survival, Recovery, Repercussion, Context, Perspective, Live Through, Learn, Understand

Tracie Lark, In Quiet Winds We Settle

Troy Walsh, An Iconoclastic Explosion

Yvonne Patterson, Lineage: Fault Lines

2024 Manuscript Competition – Longlisted Poets Read More »

A YEAR OF NON-STOP POETRY MAKING  

A YEAR OF NON-STOP POETRY MAKING

Professor Kit Kelen’s One Year Flying Islands Poetry Manuscript Workshop

  • running from January to December 2026
  • minimum of six participants
  • maximum of twelve participants
  • $500 flat fee (GST free)
  • (possibility of a scholarship for a poet of demonstrably limited means, letters of support may be provided for successful applicants wishing to apply to a funding body.)
  • certificate on successful completion and transcript available

The workshop is to be conducted:

  • online group and individual communication (e-mail, ZOOM)
  • on the phone
  • with the possibility of a residential aspect (depending on the location of participants;
  • any residential component would likely be conducted in Sydney, Newcastle or Markwell.)

This is a practical workshop that will include:

  • regular writing stimuli/readings/exercises
  • engagement with a range of forms and styles of poetry from a variety of periods and cultures
  • feedback and other forms of response
  • individual as well as group discussion
  • regular guest poet sessions by ZOOM included throughout the year
  • an invitation to daily practice, specifically to write poetry, in conversation with Kit, potentially every day throughout the workshop.

The focus of the workshop will be on the production of book-length collections of poetry by participants.

The theme ‘A YEAR OF NON-STOP POETRY MAKING ’ is not intended as in any way prescriptive or restrictive but rather as a means of suggesting a range of possible engagements with poetry.

Who can apply?

Poets of all levels of experience are encouraged to apply.

Poets not native to the English language are encouraged to apply. (Translation and working between languages can be one of our themes.)

Participation in the workshop is not limited to poets resident in Australia, although the residential potential will probably be enhanced for those who are. Likewise, being in a similar time zone might be helpful.

How to apply

Those wishing to apply to participate in the workshop should send a ten page sample of their poetry, along with a biographical note and/or cv. This sample of work may (or may not be) accompanied by a descriptive synopsis of the idea for a book of poems. These materials should be sent as an e-mail attachment, in a single word file, the name of which will include the author’s name and ‘application
for FI 2024 workshop’. This file should be sent, with a covering note to KitKelen@emeritus.um.edu.mo.

The deadline for applications is Sunday 30 November, 2025. Successful applicants will be informed in December, 2025. No correspondence will be entertained with regard to unsuccessful applications.

Proceeds

All proceeds from the conduct of the workshop are to fund the Flying Islands Poetry Community’s publication of poetry books. No one gets paid for this.

Caveats

There is no guaranteed prospect of publication associated with participation in the workshop. Acceptance or rejection of an application for the workshop does not imply any qualitative judgement, but is rather based on an assessment of whether a particular poet is likely to benefit from participation.

What some of the past participants say:

“I’ve found this year long workshop extremely helpful. The monthly meetings have kept me motivated and the visiting poets have been inspiring. Kit’s feedback is always enlightening and encouraging. All in all it’s been a great experience.”

“This course has been a great opportunity for me to experience different ways of arriving at a poem. Led by a range of fascinating writers, it has made my whole process feel less isolated and more fruitful than ever.”

“The 2024 Flying Islands poetry manuscript workshop has been a great combination of challenge, creativity and craft – and also companionship between our small group of poets. The diverse sessions, covering everything from finding your voice to structuring a collection, have been both practical and inspiring.”

“It’s been a wonderful privilege for me to join Kit Kelen’s Flying Islands poetry workshop this year. I’ve very much enjoyed the regular meetings and writing sessions led by some of the country’s premier poets, covering various forms, themes, styles, and innovations in poetry. I’ve learned a great deal from conversations with them, as well as with other workshop fellows, reading and sharing feedback on one another’s poems. Equally as enlightening are Kit Kelen’s commentary and advice on my poems. This year-long workshop has been a poetic journey, full of discovery for myself as an emerging poet, and has meaningfully opened my eyes to poetry as a practice.”

About Your Workshop Leader – Christopher (Kit) Kelen, FRSN Emeritus Professor of English (University of Macau)

Christopher (Kit) Kelen is a poet and painter, resident in the Myall Lakes of NSW. Published widely since the seventies, he has more than a dozen full length collections in English as well as translated books of poetry in Chinese (several), Portuguese (several), French, Italian, Spanish, Indonesian, Swedish, Norwegian, Filipino, in Greek – his bilingual (Greek and English) volume a postcard from the fires, a picture of the rains, published by Kaleidoscope in Athens, in 2022. Also in 2022, his bilingual Esperanto-English volume Rompitaj Labirintoj – Bung Mazes was published by the Australian Esperanto Association, to coincide with a painting exhibition of that title held at the Shop Gallery in Sydney. A large scale collection of Kit’s – Swimming in the Storm – has just appeared in Romanian, with launches planned for Romania in early 2023. Kit’s latest volume of poetry in English is Book of Mother, published by Puncher & Wattmann in 2022.

Kit was the 2024 winner of the University of Newcastle, Newcastle Poetry Prize for his poem, ‘Dombóvár’

An Anne Elder and ABC/ Bicentennial Award winner in the distant past, in 2017, Kit was shortlisted twice for the Montreal Poetry Prize and won the Local Award in the Newcastle Poetry Prize. In 2019 and 2020 Kit won the Hunter Writers’ Centre award in the NPP. He was also shortlisted for the ACU prize in 2020. In 2021 he won the bronze medal in the Newcastle Poetry Prize. And in 2022 he won the second prize silver medal.

Kit has been writer/artist in Residence in many parts of the world – in Australia, Italy, Sweden, Norway, Spain, Iceland, Finland and Cyprus. A number of these residencies have led to book publications, sometimes multiple – for instance Bundanon time produced his books Time with the Sky and To the Single Man’s Hut. Time at the Messen residency on the Hardanger Fjord produced Poor Man’s Coat and a book in Norwegian entitled Glasfjorden (the glass fjord).

As a visual artist, over the last fifteen years, Kit has has had ten solo painting and drawing exhibitions in Australia, Portugal, Spain, Sweden and Macao.

Emeritus Professor of English at the University of Macau, where he taught for many years, Kit Kelen is also a Conjoint Professor at the University of Newcastle.

In his scholarly writing, Kit has produced a string of books about poetry, the most recent of which is Poetics and Ethics of Anthropomorphism – Children, animals and poetry, published by Routledge in 2022.

In 2017, Kit was awarded an honorary doctorate by the University of Malmo, in Sweden.

Series Editor for Flying Islands Pocket Poets Series, Kit has mentored many poets and translators from various parts of the world, and run a number of on-line communities of practice in poetry (most notably Project 366 [from 2016-2020]). Kit is a Fellow of the Royal Society of NSW. You can follow Kit’s work-in-progress at the Daily Kitthedailykitkelen.blogspot.com/

A YEAR OF NON-STOP POETRY MAKING   Read More »

Greg McLaren’s ’17’

from After Han Shan

A group of young women play soccer in the park,
in the fading light their perfume mingles with sweat,
and they’ve got butterflies tattooed on their tailbones,
or Celtic-looking script on their forearms.

Their friends are girls in Camp Quality bandanas
and two gay men in acid wash jeans.
I cough and they glance my way,
my temples greying with stupid worry.

Greg McLaren’s ’17’ Read More »

What the river told me by Jane Skelton

Jane Skelton’s ‘Moniave, Scotland’

from What the river told me

in a pub in Moniave
I think I’ve found my people
enveloped in a clutch of folk musicians
singing at the top of my voice

I see a thin child enter
with a wolfhound on a lead
but when she turns and looks up
I she is a little person
of wrinkled face and long straw hair
I think I’ve found my people
although I don’t understand a word
it doesn’t matter

the single malts are finished
before the stage of gutter-rolling
that night I couldn’t sleep

the next day I’m taken to Castle Douglas by car
the scenic route of winding roads at breakneck speed

he gave me a special Scottish sweet
when he said goodbye
I appreciate it later
caramel melting on my tongue
on the bus to Newton Stewart

at Moniave I thought I’d found my people
but it was only the whisky
I’ll probably never go to Moniave again

Jane Skelton’s ‘Moniave, Scotland’ Read More »