J.Burke

Papa Osmubal

Papa Osmubal (aka Oscar Balajadia) is a poet-artist residing in Macau-SAR, China. He has an MA in English Studies from the University of Macau, where when he graduated he was awarded the highest honor (Excellence). He is also into occidental calligraphy, doing both modern and old (classical) scripts. Among his many calligraphy heroes are Joseph ‘Joe’ Vitolo and Julien ‘Kaalam’ Breton.
Papa Osmubal is a Macau resident of Filipino descent, married to a Macau local Chinese.

Flying Islands Pocket Poet Publications

The Only True Eye

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Jean Kent

Jean Kent was born in Chinchilla, Queensland, in 1951. She published her first poems in a literary magazine in 1970, while she was completing an Arts Degree (majoring in psychology) at the University of Queenslandl; her first collection, Verandahs, appeared twenty years later, in 1970.  Since then, another eight books of her poetry have been published. The most recent are The Hour of Silvered Mullet (Pitt Street Poetry, 2015) and Paris in my Pocket (PSP, 2016). 

Awards Jean has won include the Anne Elder Prize and Dame Mary Gilmore Award (both for Verandahs), the Wesley Michel Wright Prize, the Josephine Ulrick Prize and Somerset Prize. She has been a runner-up for the Newcastle Poetry Prize and winner of its Local Section, and was a judge of the prize in 2013. She has received several writing grants from the Australia Council, including Overseas Residencies in Paris in 1994 and 2011.

As well as writing poetry, fiction and (occasional) nonfiction, Jean has worked as an educational psychologist, counsellor in TAFE colleges, lecturer in Creative Writing, mentor and facilitator of poetry workshops.

With Kit Kelen, Jean was co-editor of A Slow Combusting Hymn: Poetry from and about Newcastle and the Hunter Region (ASM/Cerberus Press, Flying Island Books, 2014).

Her Flying Island pocket book is The Language of Light (2013), a selection of her poems with Chinese translations by Iris Fan Xing.

In 2020, Kit Kelen invited her to converse with him by email for his blog spot, The Daily Kit. Their conversation over six months, covering a lot of topics, including poetry, but also COVID19, the deaths of their mothers, gardening …

Jean lives at Lake Macquarie, NSW.

Links: jeankent.net

Flying Islands Pocket Poet Publications

The Language of Light

In National Library of Australia

Translation Iris Fan Xing

The Language of Light is a selection of poems from Jean Kent’s collections, with translations into Chinese by Iris Fan Xing. The poetry ranges from memories of childhood in country towns and on a farming property in Queensland to adult experiences visiting family in Lithuania and living in Paris. Scenes from everyday life, working as a psychologist, and at home in a bushy suburb at Lake Macquarie, NSW, also feature. Included are poems which won the Josephine Ulrick National Poetry Prize and the Dorothy Porter Prize.

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Judy Johnson

Judy Johnson has published five full length collections and several chapbooks. Her books have won the Victorian Premier’s Award and been shortlisted in both the NSW and WA Premier’s Awards. She’s been awarded the Wesley Michel Wright Prize 3 times. Her latest collection is ‘Dark Convicts'(UWA publishing, 2017) a poetic exploration of her African American First Fleet convict ancestors.
Her Flying Islands publication is ‘Exhibit’, 2013.

Judy Johnson is an award-winning poet with a special interest in bringing to life little known but fascinating aspects of Australia’s history. Prizes for her historical narratives include the Banjo Paterson Award, which she won three years in a row, and the Val Vallis Award. She has been the recipient of three New Work Grants from the Literature Board of the Australia Council, is currently working on another historical novel. Judy Johnson lives on the NSW Central Coast.

Flying Islands Pocket Poet Publications

Exhibit

trans Iris Fan Xing

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Dan Disney

Originally from Australia, Dan Disney has lived in South Korea for the last decade, where he teaches in the English Literature Program at Sogang University, in Seoul. His collections include and then when the (John Leonard Press), either, Orpheus (UWAP), and Report from a border (Light-Trap Press). He is editor of Beyond Babel: Creative Writing in Second Language Contexts (John Benjamins), and co-edited both Writing to the Wire (UWAP, with Kit Kelen), an anthology of poems protesting the dehumanization of people seeking political asylum in Australia, and New Directions in Australian Poetry (Palgrave, with Matthew Hall), in which a number of Australian poets theorize on the ethical possibilities of creative production into the early 21st century.

Flying Islands Pocket Poet Publications

Mannequin’s Guide to Utopias

In National Library of Australia

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Richard James Allen

Richard James Allen is an Australian poet, born in Kempsey, New South Wales, on the unceded lands of the Dunghutti Aboriginal People. His writing has appeared widely in journals, anthologies, and online, and he has been a popular reader at multiple reading venues, over many years. His latest volume of poetry, The short story of you and I, was published by UWA Publishing in February 2019. A suite of recent poems, Minimum Correct Dosage, commissioned by Red Room Poetry, was published in December 2019. Previous critically acclaimed books of poetry, fiction and performance texts include Fixing the Broken Nightingale (Flying Island Books), The Kamikaze Mind (Brandl & Schlesinger) and Thursday’s Fictions (Five Islands Press), shortlisted for the Kenneth Slessor Prize for Poetry. A new book, More Lies (Interactive Press), in print, eBook and audio book form read by him, in 2021.

Former Artistic Director of the Poets Union Inc., and director of the inaugural Australian Poetry Festival, Richard is the creator of #RichardReads (https://soundcloud.com/user-387793087), an online compendium of Global Poetry, Read Aloud, and an editor of the landmark anthology, Performing the Unnameable: An Anthology of Australian Performance Texts (Currency Press/RealTime).

Well known for his multi-award-winning career as a filmmaker and choreographer with The Physical TV Company (http://physicaltv.com.au/), and critically acclaimed as a performer in a range of media and contexts, Richard has a track record for innovative adaptations and interactions of poetry and other media, including collaborations with artists in dance, film, theatre, music and a range of digital platforms.

The recipient of numerous awards, nominations, and grants, as well as multiple opportunities for presentations, screenings and broadcasts, he graduated with First Class Honours for his B.A. at Sydney University and won the Chancellor’s Award for most outstanding PhD thesis at the University of Technology, Sydney.

Links: en.wikipedia.org/wiki/Richard_James_Allen

Flying Islands Pocket Poet Publications

Fixing the Broken Nightingale

In National Library of Australia

Nearly 40 years later his tenth book of poetry, Fixing the Broken Nightingale, from Flying Island Books, is a journey from the comical and personal to the profound and provoking. Fixing the Broken Nightingale moves through five sections of poetry plus a prologue and epilogue, each focusing on a theme and creating an overall snowball effect from the internal to the universal.

In the first section titled ‘Natural disasters’, Allen gives the reader a quirky glimpse into day-to-day life, love, and creativity. It is as if Allen has sat down with the reader in a busy coffee shop after many months distance and plunged into discussions of lost umbrellas, tattered books, street-walking drug addicts and lucky pennies.

Throughout the second section, ‘Unanswered questions’, Allen holds our hand through a lifetime of love, stopping to focus our attention on sex and suffering through visceral imagery and structure. Form becomes an important technique in poems such as ‘Cradled in the elbow of time and space’, and ‘It doesn’t take long to forget’, a prose poem of energetic run-on sentences in oppressive block-text.

Sections ‘Occasional truths’ and ‘Flickering enlightenment’ confront death, aging, and insignificance. Here Allen takes each reader’s head in his hands and gently repositions our view, looking out of ourselves and making us feel small and dark like, ‘being inside / a cathedral built / of souls’ or falling ‘between the hand and the heart… because it’s easier than answering such questions’.

Allen describes his final section, ‘A scheme for brightness’, as an affirmation of art (that ‘Behind the thin mask of art / is the nothing. Nothing.’). However, it speaks also as an affirmation of love. The reader is led to consider that throughout the previous sections’ heartache and loss, what is ultimately important is ‘the greater love that passes through us, that binds all things’.

Fixing the Broken Nightingale first comically points a finger at the reader’s chest and then directs their gaze to the dark firmament of death, doubt, and smallness above them, leaving you with a feeling of having sped through life in a mere hundred pages.

Source: writingnsw.org.au/book-review-fixing-the-broken-nightingale-by-richard-james-allen/

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Iman Budhi Santosa

Iman Budhi Santosa, an Indonesian poet published by Flying Island in 2015, passed away in December 2020. He had dedicated his life to mentor countless creative writers and poets in Yogyakarta, Indonesia since 1969. Iman is known as one of the street poets in Yogyakarta, actively writing poems and plays even in the three-year period when he was homeless and lived in the streets. His poems, both in Indonesian and Javanese, generally revolves around Javanese culture and urban life.

Links: en.wikipedia.org/wiki/Iman_Budhi_Santosa

Flying Islands Pocket Poet Publications

Faces of Java / Wajah-wajah Jawa

Kit Kelen and Chrysogynus Siddha Malilang translators

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Philip Salom

Philip Salom is a contemporary Australian poet and novelist whose books have attracted widespread acclaim. He has published nineteen books – fourteen collections of poetry and five novels – notable for their originality and expansiveness and for surprising differences from title to title.

Philip Salom has won the Outstanding Achievement Award of the 4th Boao International Poetry Award, a major award for lifetime achievements in Poetry.

Philip Salom began publishing in 1980 and since then has written fourteen books of poetry and five novels. His book Sky Poems won the British Airways Commonwealth Poetry Prize in London for the overall Best Book of Poetry in the British Commonwealth and his first book The Silent Piano won the earlier Commonwealth Poetry Prize for Best First Book. His collections are praised for their expansive imagination and language. He has received further acclaim through international reviews and from guest appearances in America, Canada, Britain, the Republics of Serbia and Macedonia, Italy, Singapore and New Zealand.

Of his five novels two have been shortlisted for Australia’s most prestigious fiction prize, the Miles Franklin Award (The Returns in 2020 and Waiting in 2016). The Returns was also shortlisted for the 2017 Prime Minister’s Award. Playback won the Western Australian Premier’s Prize for Fiction. Salom’s novels have also been shortlisted in the Queensland Premier’s Prize, the ASL Gold Medal, the Victorian Premier’s Prize. The Fifth Season was published in November (Transit Lounge, 2020).

Links: philipsalom.com

Flying Islands Pocket Poet Publications

Between Yes and No

Translation: Chris Song Zijiang and Iris Fan Xing

Between Yes and No is a selection of 17 poems, some short, some longer, over 38 pages. Each poem has an English version shown in parallel with a translation into Mandarin by one of the two translators, Chris Song Zijiang and Iris Fan Xing. The editor of this innovative series is Christopher (Kit) Kelen.

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Jan Dean

Jan Dean is a Hunter Region poet. She won the 2018 Newcastle Writers Festival joanne burns Microlit Award for her prose poem ‘Fish Flops and Flaps’ published in Shuffle by Spineless Wonders. She was awarded the Seniors’ Prize sponsored by Baytree by Ardency at the 2019 Lane Cove Literary Awards with ‘Moss Poem’. Her work has been published in Not Very Quiet (online), Southerly, Meanjin, Rabbit Poetry Journal, the Australian, Eucalypt: a tanka journal, and Newcastle Poetry Prize anthologies. She holds a Distinguished Service Award from FAW NSW. Her With One Brush (IP, Queensland) was short-listed for the Mary Gilmore Award and her pocketbook Paint Peels, Graffiti Sings, (Flying Island Books, Macau) is in English and Mandarin.

Flying Islands Pocket Poet Publications

Paint Peels, Graffiti Sings

In National Library of Australia

trans Ruby Chen, Karen Kun

The title of Jan Dean’s 2014 collection in the ‘Pocket Poets’ series published by Flying Island Books (a joint project of the Association of Stories in Macao and Cerberus Press in Australia) is taken from a line in a short poem called ‘Wonder’ (p.74), near the middle of the collection: “Why do people lament decay / and crave constant renewal? / While paint peels graffiti sings / the wonders of evanescence.” These lines capture the spirit of this collection by a poet with an artist’s eye who always seems to have both eyes open to the wonders of evanescence.

Review: Reviewed by Steven Schroeder, Chicago

Read more of the review: vacpoetry.org/journal/paint-peels-graffiti-sings

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Mark Tredinnick OAM

Dr Mark Tredinnick BA (Hons), LLB (Hons), MBA, PhD—is a celebrated poet, essayist, and teacher. His many works of poetry and prose include A Gathered Distance, Almost Everything I Know, Egret in a Ploughed Field, Bluewren Cantos, Fire Diary, The Blue Plateau, and The Little Red Writing Book. Since 2003, Tredinnick has published over two hundred works—poems, essays, reviews, papers, and books. For twenty-five years, he’s taught poetry and expressive writing at the University of Sydney, where he was poet in residence in 2018. His many honours include two of the world’s foremost poetry prizes, the Montreal and the Cardiff.

Since 2003, Tredinnick has published over two hundred works—poems, essays, reviews, papers, and books. For twenty-five years, he’s taught poetry and expressive writing at the University of Sydney, where he was poet in residence in 2018. He is a beloved teacher (of writing, literature and ecology), and he’s mentored many writers into print. His many honours include two of the world’s foremost poetry prizes, the Montreal and the Cardiff. ‘His is a bold, big-thinking poetry,’ Sir Andrew Motion has written, ‘in which ancient themes (especially the theme of our human relationship with landscape) are recast and rekindled.’ ‘One of our great poets of place,’ Judy Beveridge has called him.

In 2020, Tredinnick was awarded the Order of Australia Medal for services to literature and education.

Tredinnick’s other honours include two State Premiers’ Literature Prizes, The Blake and Newcastle Poetry Prizes, the ACU and Ron Pretty Poetry Prizes, two Premiers’ Literature Awards, and the Calibre Essay Prize. The Blue Plateau, his landscape memoir, shortlisted for the Prime Minister’s Prize.

Dr Tredinnick’s poetry and prose are translated into many languages (German, French, Italian, and Spanish). In recent years his work has become widely known in China. In April 2019, he spent a month in residence at the Lu Xun Academy in Beijing, a guest of the International Writers Program. A selection of one hundred of his poems appears in Chinese in 2021, along with a book of his essays.

Much of Tredinnick’s work—in poetry, prose, advocacy, and teaching—has explored the syntax of places and the ecologies of speech. ‘Our future and our place in it,’ he has written, ‘may depend on how well we care for the health of both—land and language.’ The moral and spiritual landscapes, the geography of what was once called the soul: this also is Tredinnick’s literary terrain.

Tredinnick is the father of five. He writes and lives with his partner Jodie Williams in the Wingecarribee, southwest of Sydney.

Links: www.marktredinnick.com

Flying Islands Pocket Poet Publications

Almost Everything I Know

A selection of Mark’s poems—including, ‘Maybe,’ ‘The Wombat Vedas,’ ‘News of the World, ‘Soft Bombs,’ ‘Catching Fire,’ ‘The Kingfisher,’ and ‘Walking Underwater’—along with immaculate translations into Chinese by Isabelle Li.

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Beth Spencer

Beth Spencer is an award-winning author of poetry and fiction. Her work has frequently been broadcast on ABC-Radio National, and her books include How to Conceive of a Girl (Random House), The Party of Life (Flying Islands), Vagabondage (UWAP) and The Age of Fibs (ebook published by Spineless Wonders and winner of the 2018 Carmel Bird Digital Literary Award). She lives and writes on Guringai & Darkinjung land on the NSW Central Coast; she has a website at www.bethspencer.com, and can be found on social media @bethspen

Flying Islands Pocket Poet Publications

The Party of Life

trans Ruby Chen, Iris Fan Xing

I am delighted to be a part of the ASM/Flying Islands/Cerberus Pocket series of bilingual (English and Chinese) poetry books with this special collection of new and selected poems called The Party of Life.

These poems and prose poems were selected and translated into Mandarin by Ruby Chen, with additional translations by Iris Fan.

The Party of Life explores love, death, family, gender, sexuality, class and belonging. It is also about what is left unsaid — the gaps and juxtapositions — within and through which we create meaning and relationship.

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