Poems

Sarah St Vincent Welch

Sarah St Vincent Welch is a Canberra-based writer and image-maker. She is one of the organisers of ‘That Poetry Thing That Is On At Smith’s Every Monday Night’ at Smith’s Alternative (a live-music venue that supports art and community). She is part of the writer and visual artists collective ‘Postcards from the Sky’ which meet at Belconnen Arts Centre. She is pleased her work will be part of Flying Islands Pocketbooks 2021. Her chapbook ‘OPEN’ was published by Rochford Press in 2019. She writes in as many forms as she can including short stories, creative non-fiction, and novels (in-progress). She blogs about reading and writing, place and time, at sarahstvincentwelch.com. She is currently facilitating a long-term poetry project with Canberra poets and community, ‘Kindred Trees’, in response to trees in The Australian Capital Territory. She is working on a major creative non-fiction exploring mental crisis. She also on occasion chalks poetry on the footpaths at art festivals, in response to place, a practice she calls #litchalk. Her heart belongs to two cities, Canberra (where she has lived for over thirty years) and Sydney, where she was born and grew up.

#litchalk looking across Lake Burley Griffin to Mt Ainslie, ASIO and The War Memorial in Canberra for contour556 public art festival


Vasko asks me to play, and so I do …

(He who is not smashed to smithereens

He who remains whole and gets up whole

He plays

       from Before play – Vasko Popa)

in line we step now

now some out of line

long long toe steps

some now left behind

the wolf puffs, he

stills a statue, he

checks the sky 

counts the shadows

we shout and totter

are chased

and eaten

we scream and question —

what’s for dinner?

someone’s moggie                         

knitting

rocking

twine and thread and dip

pass the cradle

pinch and cast

hand a loom

a harbour bridge

a pat is a slap is a hit

a baby she was

she was 

she — went — a —

same time same time

smarting

blister

she — went — a —

faster

she was

orbit stones

blink and pop

the conker sun

rolls fast

scoop the moon lead

bruise a thumb-bed

shoot the comets

past chalk marks

squeeze the sun

against a knuckle 

Kohoutek’s clinked

the Earth

polished bone raps

bone poked skin

throw it missile straight

toss up hair high

high to pick up

quick a twelvsie 

scatter

sweep

a onesie

a twosie

dead sheep

it comes back —

catcher —

so throw it away!

tipfingers

arcshoulder

assembly hall wall

a song in time

a smashed window

(Vasko made me do it!)

against the back wall

the neighbours’ fence

the cupboard door

inside yourself

it comes back 

comes back —

so throw it away!

(Vasko Popa was a twentieth century Serbian poet, and he was often inspired by folk tales and riddles. )

Sarah St Vincent Welch chalking a poem outside 

Lonsdale St Roasters cafe as Noted Festival goers walk past on 

their way to a Literary Trivia contest as part of the ‘lithop’ event

(photo by Dylan Jones)

(photos Sarah St Vincent Welch)

Sarah St Vincent Welch Read More »

Chen Fei

Chen Fei, born and raised in Guizhou, is a story hunter, a traveler and a graphic designer. Resident in Macao for thirteen years, Fei is currently a Resident Tutor at Henry Fok Pearl Jubilee Residential College in the University of Macau, where he is currently completing a PhD degree in Literary Studies. 

______________________

(picture of a meiren kao)

the patio bench meiren kao – 18th April 2014

meiren kao, a man leaning on it will be more elegant, suave’

the restaurant manager said to me 

meiren kao, a lookout for men

to monitor enemy movements

a belvedere for girls to wait for their beloved

and now I’m leaning here, waiting for my poetry ideas 

downstairs Miao waitresses are welcoming guests with wine and song

on the street visitors are taking photos

some people are selling barbecued food 

people sitting on the meiren kao of other houses are holding cameras, ready to capture any surprise 

here on the meiren kao

I see the whole village

I see people come and go

people come, stay and start businesses here people grow up

people make money and leave

people grow old

sing songs 

on such a pleasant afternoon as this I am sitting on the meiren kao

eating my barbecued food

listening to the stories in the songs 

美人靠 

2014年4月18日

“美人靠 美人靠

男生坐著也要俏三俏”

餐館經理笑著跟我說

美人靠,男人們監視敵人舉動的瞭望台 

女人們等待心上人歸家的觀景台 

此刻我坐在這裡,等待著靈感來教我寫詩

樓下苗族女侍者正在用歌舞和米酒 

歡迎著賓客

街上遊客們在拍照 

有些攤販在賣燒烤 

有些人坐在其他吊腳樓的美人靠 

舉著相機,等待著驚喜 

美人靠上

我看到整個寨子 

我看到有的人來了,住了下來 

有的人走了,去往便捷的都市生活 

有的人暫住,尋找心裡的平靜 

有的人成長,無憂無慮地成長 

有的人急於賺錢,開酒吧開客棧

他們的故事 

沉澱為山間的迷霧 

流淌成河裡的歌唱

夜幕降臨時分 我坐在河邊 吃著燒烤 

聽著 一首又一首的歌謠

Chen Fei Read More »

Harold Legaspi

Harold Legaspi is a poet writing in Darug land. 

Letters in Language, fromFlying Islands Pocket Books of Poetry series with Cerberus Press and Association of Stories in Macau, January 2021.

Excerpt from The Edge of Seas vs Lost Generation

Loners

Neither man nor woman. No beast nor man.

            Begets ideals begets passion begets love begets thought begets survival. A fibrous scar. Abscess. Somewhat difficult.

            Everyday is a war, it is in need of battles that keep without the strange, estranges and arrested development. The first enquiry of available life is a revelation of poetry. Culture is irrational. Somewhat difficult.

            How the Loner outthinks louder with no definition. Amid physical relief, a place or places of falling. Somewhat difficult.

            One is given a gender, seemingly insoluble manifolds or equations. We suggest the flesh. Pus emerges from the third leg or concave viscera, or thereabouts, withdraw it to live life on a beach, or a lifeless planet. How the mind sounds of palms and sugars begets the machines with its substance-abuses. Available life is somewhat difficult.

            An end of equations, equate scaffolds of constancy. To posses will. And gladly achieve values and it does mean virtues and it does not scold or scald.

            Immune to classification. Incalculable. Totally destined and not bone. Aurora Australis.  

Harold Legaspi Read More »

Nathan Curnow

Nathan Curnow is an award-winning poet, spoken word performer and past editor of literary journal, Going Down Swinging. His books include The Ghost Poetry ProjectRADARThe Right Wrong Notes and The Apocalypse Awards. He has recently taught creative writing at Federation University, and toured Europe in 2018 with loop artist, Geoffrey Williams, performing in Poland and opening the Heidelberg Literature Festival in Germany. He lives in Ballarat and is the current judge of the annual Woorilla Poetry Prize.

The Piano Lesson

The last piano lesson I ever had
ended in a drug raid on my teacher’s house.
Mum was waiting in the car as she did each week.
She saw the cops pull up with their dogs.
When I ask her about it twenty years later
she’s forgotten everything—the raid, the lessons,
begging me to practice, that we even had a piano of our own.
I want to ask her how, and keep asking, how
it’s possible to forget all this, considering her devotion
to the black and white, the tunes of discipline and obedience.
I let it go because she blames herself for all she can
and can’t recollect. There’s a chord
that she’s an expert of playing—the guilt hammers,
the sustain of regret. So what now of this memory
if I can’t afford to share it? I want it to resonate.
But it stresses her frailties—a grand excuse
to keep pounding away at herself. It’s a grey-scale art
every child must learn to master in these final years—
to force the duet or to recognise it’s time
to learn both parts of Chopsticks for yourself.
Now my daughter plays and I wait beside her
turning the page when she nods, the metronome
tocking, her little hands, in reflection
all the right wrong notes.

Nathan Curnow Read More »

Iman Budhi Santosa

Iman Budhi Santosa, an Indonesian poet published by Flying Island in 2015, passed away in December 2020. He had dedicated his life to mentor countless creative writers and poets in Yogyakarta, Indonesia since 1969. Iman is known as one of the street poets in Yogyakarta, actively writing poems and plays even in the three-year period when he was homeless and lived in the streets. His poems, both in Indonesian and Javanese, generally revolves around Javanese culture and urban life. 
To commemorate his contribution, a book called Iman Budhi Santosa: Sebuah Obituari will be published and launched in March 2021. 

Before a nameless tomb (translated from Indonesian by Chrysogonus Siddha Malilang and Kit Kelen)

I cowered next to you

 no need for an introduction 

you ran out of relatives

while I was still looking for an address

you’re a book

 I’ve just written the first paragraph 

you’re moss, I’m grass

in the open field

Di sebuah makam tanpa nama

Sesekali aku berjongkok di sampingmu
tanpa harus berkenalam dan merasa perlu

Engkau kehabisan kerabat
aku mencari sebuah alamat

Engkau buku
aku baru menulis paragraf satu

Engkau lumut, aku rumput
di sini semua patut disebut

Iman Budhi Santosa Read More »

Rob Schackne #1 – The Condition of Things

The Condition of Things

You could wonder

dogs are said to 

listen to music

loyally

though a bit blankly

to a shuffle of jazz

rock and blues and country

companionably

classically

sighing

occasionally

eyes closed

asleep at your feet

something captured

before it rains

perhaps dreaming 

of wild things

of poetry

many aspirations

another walk

something to eat

Rob Schackne #1 – The Condition of Things Read More »

Chrysogonus Siddha Malilang

Chrysogonus Siddha Malilang was a nomad writer and translator before finally settling in in Southern Sweden. He started writing professionally – as a journalist – at an early age of 12, mainly motivated by an innocent wish of seeing his name printed in newspaper. After writing a number of short stories for various newspapers, he published two novels in 2006. 

In 2013, he got involved with Flying Islands and started translating Iman Budhi Santosa’s poems (Faces of Java) into English. He was then granted Indonesian government funding for a poetry translation project in 2015. His own collection of bilingual poems, Encounters: Never Random, was published in 2017 by Flying Islands

He is currently teaching Creative Writing in Malmö University, Sweden and at the same time trying to get back to a poet mode. His latest works, translations of three children’s books from Danish to Indonesian, are coming in March 2021. 

watching fado in Macao

old fortress
under moon that blooms

gentle sea breeze
of a humid October night

husky contralto
belting the ballad out

from her throat
deep the waves

in which we swim
ears least perhaps

this is rhythm
all in the chest

where memory
is found

because of the words
all out of language

because as the singer says
this is heart’s translation 

Chrysogonus Siddha Malilang Read More »

Steven Schroeder

Steven Schroeder is a poet and painter who lives and works in Chicago. More at stevenschroeder.org.

A Suicide Flower

A cadre of hibiscus revolutionaries
gather in the hedges along this
busy street, lie low to creep
beneath the iron fence set up
to separate them from masses
moving at the speed of money.
Here and there a suicide flower
throws herself into the crowd,
detonates the red she has
strapped to her body,

sends a shock of useless beauty lying
exposed through a city of desire

自殺式花兒

大紅花革命部隊
沿著繁忙街道草籬
列隊擺陣,俯身
潛越鐵欄
一籬之隔
拜金眾生勞勞役役
到處自殺式花兒
一頭栽進人群
引爆自綑身上的


轟烈一時,艷影徒然
慾望都市,屍橫遍地

Translated by Sou Vai Keng 蘇惠琼

from a water planet, published by Flying Island Books in 2014.

Steven Schroeder Read More »